Cover of the Week 41 and (non) Cover of the Week 42 The Lethal Temptress
I’m heading out for a week of vacation. Does that mean I shortchange you, the 15 people who check this blog regularly, by taking a week off of the COtW project as well? No! I’m the kind of guy who doubles down instead, projecting ahead a week where I won’t be able to get to the recording. So, I offer you this “Two-fer Cover of the Vacation Week” or, “A Bill Janovitz Cover of the Week Block Party Weekend.”
[Edit: This has been removed]: First off, you get a non-cover of Buffalo Tom’s “White Paint Morning.” I include this because greatest response seems to be to the reinterpreted Buff Tom songs. I always felt this song was better than the also-ran status it seems to have. But that might be just me — literally. Yet my wife likes it as well, so there you go. I hope you like this more sparse acoustic version.
Second on the playlist is a cover of a song from a band I just discovered this week thanks to my friend, Tom Perrotta, novelist and screenwriter, music aficionado, and all-around really great guy. He has become friendly with Tim Bracy of the disbanded The Mendoza Line. Tom and I went out to see the Sox on Tuesday night and he brought along a disc for me to hear.
Nowadays, it just takes so much for something to break through all the noise. I have piles of books, CDs, magazines, and children that I just never have enough time for, all yelling for my attention. Here comes this disc from a band who was around in the mid 1990s and put out 10 albums in as many years, and it turns out I never recall ever hearing the music. I am actively paying attention all the time — college radio, eMusic subscription, not as much music press as I used to read, but checking in every once in a while on blogs, and so on. And yet how did I get this far without ever knowingly hearing this great music? Especially with so many friends into similar bands — the ML touches on many of the same sounds/themes as Wilco; Whiskeytown; Leonard Cohen; Dylan; Tom Waits; Velvet Underground; Stones; Mazzy Star; and Bettie Serveert. In other words, great rootsy, but forward-leaning songwriting and performances. And really excellent lyrics.
If you’re interested in the band, you can Google them and find out the whole drama and story behind the group. Or better yet, buy up all the music. I particularly find it interesting that Bracy wrote this song and it is Shannon McArdle who sings it on the record. It is a medium register for a woman’s voice, in the key of A, but for me, it brings me closer to the high end of my range.
Hope you are all well. Hope you enjoy the songs. I feel the love. I hope you feel the love back. See you in a week or two.